Much has been written about a disturbing trend in Pop music where a singer adopts an alter-ego that is a little more fearless, a little more sexy and completely without boundaries. This is the sort of thing that plays directly into the hands of fans that love to attach epic mythologies to their divas where none before existed. For the rest of us, it’s at best pure comedy and at worst completely tiresome. Seems Lola didn’t get the memo.
Or is it “more weak”?